Richard Haining

Reclaimed Maple

This series of vessels has not been turned on a lathe. Each is hand-built. STACKED piece by piece, layer by layer, all the while controlling the wall thickness as well as the profile. The "fluted" indentation is created as a result of the building process, intentionally placing each piece to create this profile. If you had a little camera and light, and peered into the interior, you would see the inverse of the indentations. The salvaged wood offcuts were sourced from a variety of local Brooklyn wood shops. The salvaged wood's natural coloring shows off tones ranging from ivory and pale yellow including a smattering of some mid and dark brown in tones. There is no stain involved. Once complete, the surface was shaped using a variety of hand held tools, resulting in a finely honed finish with slight undulations, similar to that of hand-built ceramics.

11" d x12-1/2" h

2022

Price and availability upon request.

Reclaimed Maple

This series of vessels has not been turned on a lathe. Each is hand-built. STACKED piece by piece, layer by layer, all the while controlling the wall thickness as well as the profile. The "fluted" indentations are created as a result of the building process, intentionally placing each piece to create this profile. If you had a little camera and light, and peered into the interior, you would see the inverse of the indentations. The salvaged wood offcuts were sourced from a variety of local Brooklyn wood shops. The salvaged wood's natural coloring shows off tones ranging from ivory and pale yellow including a smattering of some mid and dark brown in tones. There is no stain involved. Once complete, the surface was shaped using a variety of hand held tools, resulting in a finely honed finish with slight undulations, similar to that of hand-built ceramics.

11" d x12-1/2" h

2022

Price and availability upon request.

Reclaimed Maple

This series of vessels has not been turned on a lathe. Each is hand-built. STACKED piece by piece, layer by layer, all the while controlling the wall thickness as well as the profile. The "fluted" indentations are created as a result of the building process, intentionally placing each piece to create this profile. If you had a little camera and light, and peered into the interior, you would see the inverse of the indentations. The salvaged wood offcuts were sourced from a variety of local Brooklyn wood shops. The salvaged wood's natural coloring shows off tones ranging from ivory and pale yellow including a smattering of some mid and dark brown in tones. There is no stain involved. Once complete, the surface was shaped using a variety of hand held tools, resulting in a finely honed finish with slight undulations, similar to that of hand-built ceramics.

11" d x12-1/2" h

2022

Price and availability upon request.

Reclaimed Oak, mixed species

Part of Richard Haining's STACKED Collection, this wooden vessel with its elongated neck is made from reclaimed oak. The salvaged wood offcuts were sourced from a variety of local Brooklyn wood shops, as well as from deconstructed turn of the century mill and factory buildings from the Northeast. The ebonized finish was achieved with an iron-oxide wash. The reaction between the iron oxide wash and the tannins inherently found in oak, results in tones ranging from shades of black to warm deep browns; there is no "stain" involved.

This vessel was hand-built with tiny blocks of wood; each block being carefully placed to create the desired shape. Once built, the exterior is gently sculpted smooth using a variety of hand tools achieving a polished surface with subtle undulations similar to that of hand-built ceramics.

The salvaged wood offers one-of-a-kind patterns brought to life by Richard’s STACKED process, achieving a quality reminiscent of both basketry and mosaic tile work. Upon request, additional “candid/studio” images can be made available.

As with all of Richard’s STACKED work, the entirety of this piece was built, sculpted, and finished entirely by his hands.

20"dia x 30-1/4"tall

2024

Price and availability upon request.

Part of Richard Haining's STACKED Collection, this spherical vase is made from reclaimed maple. The salvaged wood offcuts were sourced from a variety of local Brooklyn wood shops. The salvaged wood's natural coloring shows off tones ranging from ivory and pale yellow including a smattering of some mid and dark brown in tones. There is no stain involved.

This vessel was hand-built with tiny blocks of wood; each block being carefully placed to create the desired shape. Once built, the exterior is gently sculpted smooth using a variety of hand tools achieving a polished surface with subtle undulations similar to that of hand-built ceramics.

The salvaged wood offers one-of-a-kind patterns brought to life by Richard’s STACKED process, achieving a quality reminiscent of both basketry and mosaic tile work. Upon request, additional “candid/studio” images can be made available.

As with all of Richard’s STACKED work, the entirety of this piece was built, sculpted, and finished entirely by his hands.

9-3/4”dia x 9-3/4”tall

2019

Price and Availability upon request.

Reclaimed Walnut

This vessel has not been turned on a lathe. It was hand-built hollow, STACKED piece by piece, layer by layer, all the while controlling the wall thickness as well as the profile. The reclaimed walnut was sourced and salvaged from a variety of local Brooklyn wood shops. The wood's natural coloring shows off tones primarily ranging from mid to dark browns with a smattering of pale sand like tones interspersed. There is no stain involved. Once complete, the surface was gently sculpted smooth using a variety of hand held tools, resulting in a finely honed finish with slight undulations, similar to that of hand-built ceramics.

11-3/4" d x 20" h

2015

SOLD

Part of Richard Haining's STACKED Collection, this spherical vase is made from reclaimed walnut. The reclaimed walnut was sourced and salvaged from a variety of local Brooklyn wood shops. The wood's natural coloring shows off tones primarily ranging from mid to dark browns with a smattering of pale sand like tones interspersed. There is no stain involved.

This vessel was hand-built with tiny blocks of wood; each block being carefully placed to create the desired shape. Once built, the exterior is gently sculpted smooth using a variety of hand tools achieving a polished surface with subtle undulations similar to that of hand-built ceramics.

The salvaged wood offers one-of-a-kind patterns brought to life by Richard’s STACKED process, achieving a quality reminiscent of both basketry and mosaic tile work. Upon request, additional “candid/studio” images can be made available.

As with all of Richard’s STACKED work, the entirety of this piece was built, sculpted, and finished entirely by his hands.

10”dia x 16-1/2”tall

2019

SOLD

Reclaimed Mahogany

This vessel has not been turned on a lathe. It was hand-built hollow, STACKED piece by piece, layer by layer, all the while controlling the wall thickness as well as the profile. The salvaged mahogany came from a variety of places, including some from a sinker log from the Amazon River, some from an outdoor patio deck from Eastern Long Island NY, a couple of dumpsters, and quite a bit was sourced from a handful of local Brooklyn wood shops. The wood's natural coloring shows off warm tones ranging from red and maroon to light and mid brown tones, with some paler colors interspersed. There is no stain involved. Once complete, the surface was gently sculpted smooth using a variety of hand held tools, resulting in a finely honed finish with slight undulations, similar to that of hand-built ceramics.

7" d x 10" h

2016

SOLD

Salvaged Heart Pine

This vessel has not been turned on a lathe. It was hand-built hollow, STACKED piece by piece, layer by layer, all the while controlling the wall thickness as well as the profile. This ringed vessel was made using reclaimed Heart Pine, salvaged from a gutted Brooklyn Brownstone's building joist. These Brownstone’s are all Pre-War, built in the late 1800’s which in turn means these trees were cut down 120+ years ago. The wood's natural coloring shows off tones ranging from light yellows and blonde to dark brown, including some almost black areas where century old nails stained the wood over decades. This is a natural finish and no is stain involved. This old-growth wood is only available through reclamation. Once complete, the surface was gently sculpted smooth using a variety of hand held tools, resulting in a finely honed finish with slight undulations, similar to that of hand-built ceramics.

11-3/4”dia x 18-3/4”tall

2018

SOLD

Reclaimed Oak, mixed species

This vessel has not been turned on a lathe. It was built hollow as two separate shapes, STACKED piece by piece, layer by layer, all the while controlling the wall thickness as well as the profile. The salvaged wood offcuts were sourced from a variety of local Brooklyn wood shops, as well as from deconstructed turn of the century mill and factory buildings from the Northeast. The wood’s natural coloring shows off tones ranging from light sand to mid and even dark brown, including old worm, bug, and nail holes. There is no stain involved. Once complete, the two independent shapes were connected and then the surface was gently sculpted smooth using a variety of hand held tools, resulting in a finely honed finish with slight undulations, similar to that of hand-built ceramics.

16-3/4”length x 11-3/4”diameter

2018

SOLD

Reclaimed walnut

This vessel has not been turned on a lathe. It was hand-built hollow, STACKED piece by piece, layer by layer, all the while controlling the wall thickness as well as the profile. The reclaimed walnut was sourced and salvaged from a variety of local Brooklyn wood shops. The wood's natural coloring shows off tones primarily ranging from mid to dark browns with a smattering of pale sand like tones interspersed. There is no stain involved. Once complete, the surface was gently sculpted smooth using a variety of hand held tools, resulting in a finely honed finish with slight undulations, similar to that of hand-built ceramics.

10-1/4" d x 15-3/4" h

2016

SOLD

Reclaimed Mahogany

This planetary like vessel has not been turned on a lathe. It was hand-built hollow, STACKED piece by piece, layer by layer, all the while controlling the wall thickness as well as the profile. The salvaged mahogany came from a variety of places, including some from a sinker log from the Amazon River, some from an outdoor patio deck from Eastern Long Island NY, a couple of dumpsters, and quite a bit was sourced from a handful of local Brooklyn wood shops. The wood's natural coloring shows off warm tones ranging from red and maroon to light and mid brown tones, with some paler colors interspersed. There is no stain involved. Once complete, the surface was gently sculpted smooth using a variety of hand held tools, resulting in a finely honed finish with slight undulations, similar to that of hand-built ceramics.

14-3/8"dia x 13-1/4"tall

2016

SOLD

Reclaimed Spalted Maple

This vessel has not been turned on a lathe. It was hand-built hollow, STACKED piece by piece, layer by layer, all the while controlling the wall thickness as well as the profile. This piece was made using reclaimed spalted maple salvaged from the offcuts of Brooklyn Museum's seating, reception desks, and signage located in their glass pavilion lobby entrance. The wood's natural coloring shows off tones range all over the place from yellow and blonde, to pink and deep browns with black striations throughout, kinda reminiscent of a light toned marble. There is no stain involved. Once complete, the surface was gently sculpted smooth using a variety of hand held tools, resulting in a finely honed finish with slight undulations, similar to that of hand-built ceramics.

8"dia x 7-1/2"tall

2016

SOLD

Reclaimed Spalted Maple

This vessel has not been turned on a lathe. It was hand-built hollow, STACKED piece by piece, layer by layer, all the while controlling the wall thickness as well as the profile. This piece was made using reclaimed spalted maple salvaged from the offcuts of Brooklyn Museum's seating, reception desks, and signage located in their glass pavilion lobby entrance. The wood's natural coloring shows off tones range all over the place from yellow and blonde, to pink and deep browns with black striations throughout, kinda reminiscent of a light toned marble. There is no stain involved. Once complete, the surface was gently sculpted smooth using a variety of hand held tools, resulting in a finely honed finish with slight undulations, similar to that of hand-built ceramics.

22"dia x 32"tall

2017

Private Collection

Part of Richard Haining's STACKED Collection, this spherical vase is made from reclaimed red and white oak. The salvaged wood was sourced from a variety of local Brooklyn wood shops, as well as from deconstructed turn of the century mill and factory buildings from the Northeast. The wood’s natural coloring shows off tones ranging from light sand to mid and even dark brown, including old worm, bug, and nail holes. There is no stain involved.

This vessel was hand-built with tiny blocks of wood; each block being carefully placed to create the desired shape. Once built, the exterior is gently sculpted smooth using a variety of hand tools achieving a polished surface with subtle undulations similar to that of hand-built ceramics.

The salvaged wood offers one-of-a-kind patterns brought to life by Richard’s STACKED process, achieving a quality reminiscent of both basketry and mosaic tile work. Upon request, additional “candid/studio” images can be made available.

As with all of Richard’s STACKED work, the entirety of this piece was built, sculpted, and finished entirely by his hands.

8-1/4”dia x 8-1/4”tall

2019

SOLD

Reclaimed Oak, various species

This vessel has not been turned on a lathe. It was built hollow as two separate shapes, STACKED piece by piece, layer by layer, all the while controlling the wall thickness as well as the profile. The salvaged wood offcuts were sourced from a variety of local Brooklyn wood shops, as well as from deconstructed turn of the century mill and factory buildings from the Northeast. The wood’s natural coloring shows off tones ranging from light sand to mid and even dark brown, including old worm, bug, and nail holes. There is no stain involved. Once complete, the two independent shapes were connected and then the surface was gently sculpted smooth using a variety of hand held tools, resulting in a finely honed finish with slight undulations, similar to that of hand-built ceramics.

16"dia x 21"tall

2017

SOLD

Reclaimed Alaskan Cedar

The wood in this vase was salvaged from a decommissioned NYC water tower. This vessel has not been turned on a lathe. It was hand-built hollow, STACKED piece by piece, layer by layer, all the while controlling the wall thickness as well as the profile. The wood’s natural coloring is very light blond. Once complete, the surface was gently sculpted smooth using a variety of hand held tools, resulting in a finely honed finish with slight undulations, similar to that of hand-built ceramics. I chose to char the exterior of this vessel using the Japanese technique known as Shou Sugi Ban. This process causes the sugars in the wood to burn resulting in the dark dark brown almost blackened surface, which was in turn sealed using my custom varnish process.

25" d x 26" h

2016

SOLD

Reclaimed California Redwood

The wood in this vase was salvaged from a decommissioned NYC water tower. It was hand-built hollow, STACKED piece by piece, layer by layer, all the while controlling the wall thickness as well as the profile. The wood's natural coloring shows off tones ranging from pink and deep reds to almost black in color. There is no stain involved. This old-growth wood is only available through reclamation. Once complete, the surface was gently sculpted smooth using a variety of hand held tools, resulting in a finely honed finish with slight undulations, similar to that of hand-built ceramics.

10-1/2"dia x 23"tall

2016

SOLD

Reclaimed Alaskan Cedar

The wood in this vase was salvaged from a decommissioned NYC water tower. This vessel has not been turned on a lathe. It was hand-built hollow, STACKED piece by piece, layer by layer, all the while controlling the wall thickness as well as the profile. The wood’s natural coloring is very light blond. Once complete, the surface was gently sculpted smooth using a variety of hand held tools, resulting in a finely honed finish with slight undulations, similar to that of hand-built ceramics. I chose to char the exterior of this vessel using the Japanese technique known as Shou Sugi Ban. This process causes the sugars in the wood to burn resulting in the dark dark brown almost blackened surface, which was in turn sealed using my custom varnish process.

17"dia x 41-1/4"tall

2016

SOLD

Reclaimed Walnut and Maple.

This vessel has not been turned on a lathe. It was hand-built hollow, STACKED piece by piece, layer by layer, all the while controlling the wall thickness as well as the profile. The salvaged wood offcuts were sourced from a variety of local Brooklyn wood shops. The intentional choice to use two highly contrasting woods allows the ability to create repitition and pattern. The wood’s natural coloring shows off tones ranging from very light sand to mid and extremely dark brown. There is no stain involved. Once complete, the surface was gently sculpted smooth using a variety of hand held tools, resulting in a finely honed finish with slight undulations, similar to that of hand-built ceramics.

7-1/8"dia x 7-1/4"tall

2018

Price and availability upon request.

Reclaimed Alaskan Cedar

The wood in this vessel was salvaged from a decommissioned NYC water tower. It was hand-built hollow, STACKED piece by piece, layer by layer, all the while controlling the wall thickness as well as the profile. The wood’s natural coloring is very light blond. Once complete, the surface was gently sculpted smooth using a variety of hand held tools (no lathe work involved), resulting in a finely honed finish with slight undulations, similar to that of hand-built ceramics. I chose to char the exterior of this vessel using the Japanese technique known as Shou Sugi Ban. This process causes the sugars in the wood to burn resulting in the dark dark brown almost blackened surface, which was in turn sealed using my custom varnish process.

15-1/2"d x 11-1/4"h

2021

SOLD

Reclaimed Cherry

This vessel has not been turned on a lathe. It was hand-built hollow, STACKED piece by piece, layer by layer, all the while controlling the wall thickness as well as the profile. This vase was made using reclaimed cherry sourced and salvaged from a variety of local Brooklyn wood shops. The wood's natural coloring shows off warm tones ranging dark oranges to light browns and reds, with a scattering of pale sapwood interspersed. There is no stain involved, but due to cherry's inherent qualities, this piece will darken over time. Once complete, the surface was gently sculpted smooth using a variety of hand held tools, resulting in a finely honed finish with slight undulations, similar to that of hand-built ceramics.

8"diameter x 38"tall

2018

SOLD

Reclaimed Walnut and Maple.

This vessel has not been turned on a lathe. It was hand-built hollow, STACKED piece by piece, layer by layer, all the while controlling the wall thickness as well as the profile. The salvaged wood offcuts were sourced from a variety of local Brooklyn wood shops. The intentional choice to use two highly contrasting woods allows the ability to create repitition and pattern. The wood’s natural coloring shows off tones ranging from very light sand to mid and extremely dark brown. There is no stain involved. Once complete, the surface was gently sculpted smooth using a variety of hand held tools, resulting in a finely honed finish with slight undulations, similar to that of hand-built ceramics.

7-1/8"dia x 7-1/4"tall

2018

SOLD

This STACKED Amphora, entitled the Dressel 1, was commissioned by a client with a love for ancient amphorae. This form was inspired by many of the pieces represented within the synoptic table that archaeologist Heinrich Dressel produced in 1899 based on his study of Roman Amphorae. This Amphora has been patiently created by hand utilizing Old Growth California Redwood, salvaged from a decommissioned NYC Water Tower. Each individual wooden block has been carefully placed piece by piece, layer upon layer resulting in the overall form. Subsequently, the finished vessel was shaped by hand creating a honed surface with subtle undulations. The Dressel 1 is one-of-a-kind.

12”dia x 48”tall

2019

SOLD

Reclaimed Walnut and Maple.

This vessel has not been turned on a lathe. It was hand-built hollow, STACKED piece by piece, layer by layer, all the while controlling the wall thickness as well as the profile. The salvaged wood offcuts were sourced from a variety of local Brooklyn wood shops. The intentional choice to use two highly contrasting woods allows the ability to create repitition and pattern. The wood’s natural coloring shows off tones ranging from very light sand to mid and extremely dark brown. There is no stain involved. Once complete, the surface was gently sculpted smooth using a variety of hand held tools, resulting in a finely honed finish with slight undulations, similar to that of hand-built ceramics.

7-1/8"dia x 7-1/4"tall

2018

SOLD

Reclaimed California Redwood. 

The wood in this vase was salvaged from a decommissioned NYC water tower. It was hand-built hollow, STACKED piece by piece, layer by layer, all the while controlling the wall thickness as well as the profile. The wood's natural coloring shows off tones ranging from pink and deep reds to almost black in color. There is no stain involved. This old-growth wood is only available through reclamation. Once complete, the surface was gently sculpted smooth using a variety of hand held tools, resulting in a finely honed finish with slight undulations, similar to that of hand-built ceramics.

13”wide x 6-1/2”deep x 14-1/4”tall

2018

SOLD

Reclaimed Cherry

This vessel has not been turned on a lathe. It was hand-built hollow, STACKED piece by piece, layer by layer, all the while controlling the wall thickness as well as the profile. This vase was made using reclaimed cherry sourced and salvaged from a variety of local Brooklyn wood shops. The wood's natural coloring shows off warm tones ranging dark oranges to light browns and reds, with a scattering of pale sapwood interspersed. There is no stain involved, but due to cherry's inherent qualities, this piece will darken over time. Once complete, the surface was gently sculpted smooth using a variety of hand held tools, resulting in a finely honed finish with slight undulations, similar to that of hand-built ceramics.

11"wide x 10”deep x 14”tall

2018

SOLD

Poplar, Ash, Silver Gilding

The Phoenix was created NYCxDesign week as part of Colony's group show entitled "Lightness: The Full Spectrum". 

Richard’s work addresses the life-cycle of value.

The gilded form is a direct nod towards vintage trophy cups, while the playful gesture of the arms draws one’s eyes upward, offering a sense of weightlessness, a winged creature preparing to take flight. Although The Phoenix is bright and reflective at it’s inception, the un-lacquered silver gilding will tarnish, lightness will fade, and a new cycle will begin. 

 The materials he uses begin their processed life as something intrinsically valuable. However the remnants are, more often than not, relegated to the waste stream, where they are salvaged by Haining and reborn into one of his “Stacked” pieces. 

42"wide x 38"tall; vessel is 11-1/2"dia x 28-3/4"tall

2017

Price and availability upon request.

Reclaimed Walnut

This vessel has not been turned on a lathe. It was hand-built hollow, STACKED piece by piece, layer by layer, all the while controlling the wall thickness as well as the profile. The reclaimed walnut was sourced and salvaged from a variety of local Brooklyn wood shops. The wood's natural coloring shows off tones primarily ranging from mid to dark browns with a smattering of pale sand like tones interspersed. There is no stain involved. Once complete, the surface was gently sculpted smooth using a variety of hand held tools, resulting in a finely honed finish with slight undulations, similar to that of hand-built ceramics.

15-3/4"dia x 13"tall

2016

SOLD

Reclaimed Oak and Silver Gilding

This vessel has not been turned on a lathe. It was hand-built hollow, STACKED piece by piece, layer by layer, all the while controlling the wall thickness as well as the profile. The salvaged wood offcuts were sourced from a variety of local Brooklyn wood shops, as well as from deconstructed turn of the century mill and factory buildings from the Northeast. Once complete, the surface was gently sculpted smooth using a variety of hand held tools, resulting in a finely honed finish with slight undulations, similar to that of hand-built ceramics. The unfinished silver gilding is intended to tarnish.

13"dia x 14-1/2"tall

2017

SOLD

Reclaimed Oak, mixed species

This vessel has not been turned on a lathe. It was hand-built hollow, STACKED piece by piece, layer by layer, all the while controlling the wall thickness as well as the profile. The crack was intentionally created to highlight the common reaction as to what a “defect” truly is. The salvaged wood offcuts were sourced from a variety of local Brooklyn wood shops, as well as from deconstructed turn of the century mill and factory buildings from the Northeast. The wood’s natural coloring shows off tones ranging from light sand to mid and even dark brown, including old worm, bug, and nail holes. There is no stain involved. Once complete, the surface was gently sculpted smooth using a variety of hand held tools, resulting in a finely honed finish with slight undulations, similar to that of hand-built ceramics.

7-1/2”diameter x 8-3/4”tall

2018

SOLD

Reclaimed Oak and Chestnut

This vessel has not been turned on a lathe. It was hand-built hollow, STACKED piece by piece, layer by layer, all the while controlling the wall thickness as well as the profile. The asymmetrical shape utilizes reclaimed red and white oak, as well as chestnut. The salvaged wood offcuts were sourced from a variety of local Brooklyn wood shops, as well as from deconstructed turn of the century mill and factory buildings from the Northeast. The wood’s natural coloring shows off tones ranging from light sand to mid and even dark brown, including old worm, bug, and nail holes. There is no stain involved. Once complete, the surface was gently sculpted smooth using a variety of hand held tools, resulting in a finely honed finish with slight undulations, similar to that of hand-built ceramics.

11" d x 18" h

2016

SOLD

Reclaimed Spalted Maple

This vessel has not been turned on a lathe. It was hand-built hollow, STACKED piece by piece, layer by layer, all the while controlling the wall thickness as well as the profile. This piece was made using reclaimed spalted maple salvaged from the offcuts of Brooklyn Museum's seating, reception desks, and signage located in their glass pavilion lobby entrance. The wood's natural coloring shows off tones range all over the place from yellow and blonde, to pink and deep browns with black striations throughout, kinda reminiscent of a light toned marble. There is no stain involved. Once complete, the surface was gently sculpted smooth using a variety of hand held tools, resulting in a finely honed finish with slight undulations, similar to that of hand-built ceramics.

11"dia x 11-1/2"tall

2017

Sold.

Reclaimed Mahogany

This planetary like vessel has not been turned on a lathe. It was hand-built hollow, STACKED piece by piece, layer by layer, all the while controlling the wall thickness as well as the profile. The salvaged mahogany came from a variety of places, including some from a sinker log from the Amazon River, some from an outdoor patio deck from Eastern Long Island NY, a couple of dumpsters, and quite a bit was sourced from a handful of local Brooklyn wood shops. The wood's natural coloring shows off warm tones ranging from red and maroon to light and mid brown tones, with some paler colors interspersed. There is no stain involved. Once complete, the surface was gently sculpted smooth using a variety of hand held tools, resulting in a finely honed finish with slight undulations, similar to that of hand-built ceramics.

12-3/4"dia x 11"tall

2016

SOLD

Reclaimed Ash

This vessel was hand-built hollow, STACKED piece by piece, layer by layer, all the while controlling the wall thickness as well as the profile. This odd two headed shape began round and then I decided to split it into a pair of co-joined necks. It was made using reclaimed ash sourced and salvaged from a variety of local Brooklyn wood shops, and accentuates the wood's natural blonde coloring. There is no stain involved. Once complete, the surface was gently sculpted smooth using a variety of hand held tools (no lathe work involved), resulting in a finely honed finish with slight undulations, similar to that of hand-built ceramics.

12-1/2"wide x 10"deep x 23"tall

2017

SOLD

Reclaimed Walnut

This vessel has not been turned on a lathe. It was hand-built hollow, STACKED piece by piece, layer by layer, all the while controlling the wall thickness as well as the profile. The reclaimed walnut was sourced and salvaged from a variety of local Brooklyn wood shops. The wood's natural coloring shows off tones primarily ranging from mid to dark browns with a smattering of pale sand like tones interspersed. There is no stain involved. Once complete, the surface was gently sculpted smooth using a variety of hand held tools, resulting in a finely honed finish with slight undulations, similar to that of hand-built ceramics.

9-1/2"dia x 37-1/4"tall

2016

SOLD

This asymmetrical vessel was created from salvaged Spalted Maple. The wood's natural coloring shows off tones range all over the place from yellow and blonde, to pink and deep browns with black striations and quilting throughout, kinda reminiscent of a light toned marble. There is no stain involved. 

Piece by piece, layer by layer, this form was built hollow, carefully controlling the wall thickness & profile. The result terraced shape was sculpted smooth with a variety of handheld tools.

The one-of-a-kind patterns made by the tiny stacked wooden pieces achieve a quality reminiscent of basketry & mosaic tile work. The honed finished surface undulate slightly, similar to that of hand built ceramics. 

9-1/4”wide x 8-1/4”deep x 19-1/4”tall

2018

SOLD

Reclaimed Maple

This vessel has not been turned on a lathe. It was hand-built hollow, STACKED piece by piece, layer by layer, all the while controlling the wall thickness as well as the profile. The "dimpled" indentation was created as a result of the building process, intentionally placing each piece to create this profile. If you had a little camera and light, and peered into the interior, you would see the inverse of the dimple. The salvaged wood offcuts were sourced from a variety of local Brooklyn wood shops. The wood's natural coloring shows off tones ranging from ivory and pale yellow including a smattering of some mid and dark brown in tones. There is no stain involved. Once complete, the surface was shaped using a variety of hand held tools, resulting in a finely honed finish with slight undulations, similar to that of hand-built ceramics.

8-1/2"d x 14-1/2"h

2017

SOLD

Reclaimed Walnut and Maple.

This vessel has not been turned on a lathe. It was hand-built hollow, STACKED piece by piece, layer by layer, all the while controlling the wall thickness as well as the profile. The salvaged wood offcuts were sourced from a variety of local Brooklyn wood shops. The wood’s natural coloring shows off tones ranging from very light sand to mid and extremely dark brown. There is no stain involved. Once complete, the surface was gently sculpted smooth using a variety of hand held tools, resulting in a finely honed finish with slight undulations, similar to that of hand-built ceramics.

2018

14”dia x 20”tall

SOLD

Salvaged Spalted Maple

This asymmetrical vessel was created from salvaged Spalted Maple. The wood's natural coloring shows off tones range all over the place from yellow and blonde, to pink and deep browns with black striations and quilting throughout, kinda reminiscent of a light toned marble. There is no stain involved. 

Piece by piece, layer by layer, this form was built hollow, carefully controlling the wall thickness & profile. The result terraced shape was sculpted smooth with a variety of handheld tools. 

The one-of-a-kind patterns made by the tiny stacked wooden pieces achieve a quality reminiscent of basketry & mosaic tile work. The honed finished surface undulate slightly, similar to that of hand built ceramics. 

10-3/4”wide x 10-3/4"”deep x 21-1/4”tall

2018

SOLD - Private Collection

Reclaimed Oak and Chestnut; oval shape.

This vessel has not been turned on a lathe. It was hand-built hollow, Stacked piece by piece, layer by layer, all the while controlling the wall thickness as well as the profile. The asymmetrical shape utilizes reclaimed red and white oak, as well as chestnut. The salvaged wood offcuts were sourced from a variety of local Brooklyn wood shops, as well as from deconstructed turn of the century mill and factory buildings from the Northeast. The wood’s natural coloring shows off tones ranging from light sand to mid and even dark brown, including old worm, bug, and nail holes. There is no stain involved. Once complete, the surface was gently sculpted smooth using a variety of hand held tools, resulting in a finely honed finish with slight undulations, similar to that of hand-built ceramics.

12-3/4"wide x 11-3/4"deep x 20-1/4"tall

2016

SOLD - Private Collection

This insanely figured bowl was created from salvaged Spalted Maple. The wood's natural coloring shows off tones range all over the place from yellow and blonde, to pink and deep browns with black striations and quilting throughout, kinda reminiscent of a light toned marble. There is no stain involved. 

To the confusion of many, I do not turn my work. The symmetry is created during the building process. Piece by piece, layer by layer, I build each form hollow, carefully controlling the wall thickness & profile. The result is a terraced shape which I sculpt with a variety of handheld tools. 

The one-of-a-kind patterns made by the tiny stacked wooden pieces achieve a quality reminiscent of basketry & mosaic tile work. The honed finished surface undulate slightly, similar to that of hand built ceramics. 

11-1/2”dia x 7”tall

2018

SOLD 

Reclaimed Oak, mixed species

This vessel has not been turned on a lathe. It was hand-built hollow, STACKED piece by piece, layer by layer, all the while controlling the wall thickness as well as the profile. The crack was intentionally created to highlight the common reaction as to what a “defect” truly is. The salvaged wood offcuts were sourced from a variety of local Brooklyn wood shops, as well as from deconstructed turn of the century mill and factory buildings from the Northeast. The wood’s natural coloring shows off tones ranging from light sand to mid and even dark brown, including old worm, bug, and nail holes. There is no stain involved. Once complete, the surface was gently sculpted smooth using a variety of hand held tools, resulting in a finely honed finish with slight undulations, similar to that of hand-built ceramics.

7-3/4”diameter x 11-3/4”tall

2018

SOLD - Private Collection

Reclaimed Walnut and Maple.

This vessel has not been turned on a lathe. It was hand-built hollow, STACKED piece by piece, layer by layer, all the while controlling the wall thickness as well as the profile. The salvaged wood offcuts were sourced from a variety of local Brooklyn wood shops. The intentional choice to use two highly contrasting woods allows the ability to create repitition and pattern. The wood’s natural coloring shows off tones ranging from very light sand to mid and extremely dark brown. There is no stain involved. Once complete, the surface was gently sculpted smooth using a variety of hand held tools, resulting in a finely honed finish with slight undulations, similar to that of hand-built ceramics.

7-1/8"dia x 7-1/4"tall

2018

SOLD

Reclaimed California Redwood. 

The wood in this vase was salvaged from a decommissioned NYC water tower. It was hand-built hollow, STACKED piece by piece, layer by layer, all the while controlling the wall thickness as well as the profile. The scalloped shape was created as a result of the building process, intentionally placing each piece to create the profile. If you had a little camera and light, and peered into the interior, you would see the inverse of these indentations. The wood's natural coloring shows off tones ranging from pink and deep reds to almost black in color. There is no stain involved. This old-growth wood is only available through reclamation. Once complete, the surface was gently sculpted smooth using a variety of hand held tools, resulting in a finely honed finish with slight undulations, similar to that of hand-built ceramics.

17-3/4"wide x 13-1/2"deep x 31-3/4"tall

2017

SOLD

Reclaimed California Redwood

The wood in this pair of vases was salvaged from a decommissioned NYC water tower. Each was hand-built hollow, STACKED piece by piece, layer by layer, all the while controlling the wall thickness as well as the profile. The wood's natural coloring shows off tones ranging from pink and deep reds to almost black in color. There is no stain involved. This old-growth wood is only available through reclamation. Once completed, the surfaces were gently sculpted smooth using a variety of hand held tools, resulting in a finely honed finish with slight undulations, similar to that of hand-built ceramics.

6-1/2"dia x 11"tall

2018

SOLD

Reclaimed California Redwood

The wood in this vase was salvaged from a decommissioned NYC water tower. It was hand-built hollow, STACKED piece by piece, layer by layer, all the while controlling the wall thickness as well as the profile. The wood's natural coloring shows off tones ranging from pink and deep reds to almost black in color. There is no stain involved. This old-growth wood is only available through reclamation. Once complete, the surface was gently sculpted smooth using a variety of hand held tools, resulting in a finely honed finish with slight undulations, similar to that of hand-built ceramics.

7-1/2"dia x 20"tall

2018

SOLD

Reclaimed Walnut.

This vessel has not been turned on a lathe. It was hand-built hollow, STACKED piece by piece, layer by layer, all the while controlling the wall thickness as well as the profile. The reclaimed walnut was sourced and salvaged from a variety of local Brooklyn wood shops. The wood's natural coloring shows off tones primarily ranging from mid to dark browns with a smattering of pale sand like tones interspersed. There is no stain involved. Once complete, the surface was gently sculpted smooth using a variety of hand held tools, resulting in a finely honed finish with slight undulations, similar to that of hand-built ceramics.

8"dia x 12"tall

2017

SOLD

Reclaimed Spalted Maple

This vessel has not been turned on a lathe. It was hand-built hollow, STACKED piece by piece, layer by layer, all the while controlling the wall thickness as well as the profile. The scalloped shape was created as a result of the building process, intentionally placing each piece to create the profile. If you had a little camera and light, and peered into the interior, you would see the inverse of these indentations. This piece was made using reclaimed spalted maple salvaged from the offcuts of Brooklyn Museum's seating, reception desks, and signage located in their glass pavilion lobby entrance. The wood's natural coloring shows off tones range all over the place from yellow and blonde, to pink and deep browns with black striations throughout, kinda reminiscent of a light toned marble. There is no stain involved. Once complete, the surface was gently sculpted smooth using a variety of hand held tools, resulting in a finely honed finish with slight undulations, similar to that of hand-built ceramics.

11-3/4"dia x 13-1/2"tall

2016

SOLD

Reclaimed Walnut and Maple.

This vessel has not been turned on a lathe. It was hand-built hollow, STACKED piece by piece, layer by layer, all the while controlling the wall thickness as well as the profile. The salvaged wood offcuts were sourced from a variety of local Brooklyn wood shops. The intentional choice to use two highly contrasting woods allows the ability to create repitition and pattern. The wood’s natural coloring shows off tones ranging from very light sand to mid and extremely dark brown. There is no stain involved. Once complete, the surface was gently sculpted smooth using a variety of hand held tools, resulting in a finely honed finish with slight undulations, similar to that of hand-built ceramics.

7-1/8"dia x 7-1/4"tall

2018

Reclaimed Walnut

This vessel has not been turned on a lathe. It was hand-built hollow, STACKED piece by piece, layer by layer, all the while controlling the wall thickness as well as the profile. The reclaimed walnut was sourced and salvaged from a variety of local Brooklyn wood shops. The wood's natural coloring shows off tones primarily ranging from mid to dark browns with a smattering of pale sand like tones interspersed. There is no stain involved. Once complete, the surface was gently sculpted smooth using a variety of hand held tools, resulting in a finely honed finish with slight undulations, similar to that of hand-built ceramics.

7-3/4" d x 13-1/2" h

2016

SOLD

Reclaimed Heart Pine

This vase has not been turned on a lathe. It was hand-built hollow, STACKED piece by piece, layer by layer, all the while controlling the wall thickness as well as the profile. This saucer shaped vessel was made using reclaimed Heart Pine, salvaged from a gutted Brooklyn Brownstone's building joist. The wood's natural coloring shows off tones ranging from light yellows and blonde to dark brown, including some almost black areas where century old nails stained the wood over decades. This is a natural finish and no is stain involved. This old-growth wood is only available through reclamation. Once complete, the surface was gently sculpted smooth using a variety of hand held tools, resulting in a finely honed finish with slight undulations, similar to that of hand-built ceramics.

17"d x 12-3/4"h

2016

SOLD

Reclaimed Walnut

This vessel has not been turned on a lathe. It was hand-built hollow, STACKED piece by piece, layer by layer, all the while controlling the wall thickness as well as the profile. The scalloped shape was created as a result of the building process, intentionally placing each piece to create the profile. If you had a little camera and light, and peered into the interior, you would see the inverse of these indentations. The reclaimed walnut was sourced and salvaged from a variety of local Brooklyn wood shops. The wood's natural coloring shows off tones primarily ranging from mid to dark browns with a smattering of pale sand like tones interspersed. There is no stain involved. Once complete, the surface was gently sculpted smooth using a variety of hand held tools, resulting in a finely honed finish with slight undulations, similar to that of hand-built ceramics.

18"dia x 14”"tall

2017

SOLD

Reclaimed Spalted Maple

This vessel has not been turned on a lathe. It was hand-built hollow, STACKED piece by piece, layer by layer, all the while controlling the wall thickness as well as the profile. This piece was made using reclaimed spalted maple salvaged from the offcuts of Brooklyn Museum's seating, reception desks, and signage located in their glass pavilion lobby entrance. The wood's natural coloring shows off tones range all over the place from yellow and blonde, to pink and deep browns with black striations throughout, kinda reminiscent of a light toned marble. There is no stain involved. Once complete, the surface was gently sculpted smooth using a variety of hand held tools, resulting in a finely honed finish with slight undulations, similar to that of hand-built ceramics.

19" d x 11-3/4" h

2015

SOLD

Reclaimed Walnut + Maple

This vessel has not been turned on a lathe. It was hand-built hollow, STACKED piece by piece, layer by layer, all the while controlling the wall thickness as well as the profile. The salvaged wood offcuts were sourced from a variety of local Brooklyn wood shops. The intentional choice to use two highly contrasting woods allows the ability to create repitition and pattern. The wood’s natural coloring shows off tones ranging from very light sand to mid and extremely dark brown. There is no stain involved. Once complete, the surface was gently sculpted smooth using a variety of hand held tools, resulting in a finely honed finish with slight undulations, similar to that of hand-built ceramics.

7-1/8"dia x 7-1/4"tall

2018

Price and availability upon request.

Reclaimed Douglas Fir. 

This vessel was hand-built hollow, STACKED piece by piece, layer by layer, all the while controlling the wall thickness as well as the profile. The asymmetrical shape utilizes reclaimed Douglas fir salvaged from an Industrial farm building in the NYC area. The wood's natural coloring shows off tones ranging from light yellows and blonde to dark brown, including some almost black areas where century old nails stained the wood over decades. This old-growth wood is only available through reclamation. There is no stain involved. Once complete, the surface was gently sculpted smooth using a variety of hand held tools, resulting in a finely honed finish with slight undulations, similar to that of hand-built ceramics.

21"wide x 10-1/2"deep x 32-1/8"tall

2017

Price and availability upon request.

Reclaimed Spalted Paper Birch

This vessel has not been turned on a lathe. It was hand-built hollow, STACKED piece by piece, layer by layer, all the while controlling the wall thickness as well as the profile. The reclaimed wood's natural coloring shows off tones range all over the place from yellow and blonde, to pink and deep browns with black striations throughout, kinda reminiscent of a light toned marble. There is no stain involved. Once complete, the surface was gently sculpted smooth using a variety of hand held tools, resulting in a finely honed finish with slight undulations, similar to that of hand-built ceramics.

8-1/2"dia x 16-3/4"tall

2016

SOLD

Reclaimed Cherry

This vessel has not been turned on a lathe. Each vessel is hand-built. Stacked piece by piece, layer by layer to create the form. Once complete, the surface is shaped using a variety of hand held tools, resulting in a finely honed finish with slight undulations, similar to that of hand-built ceramics.

19-3/4" d x 8-1/4" h

2015

SOLD

Reclaimed Walnut + Maple

This series of vessels has not been turned on a lathe. Each was hand-built hollow, STACKED piece by piece, layer by layer, all the while controlling the wall thickness as well as the profile. This grouping was created as an experimentation into patterns created by using highly contrasting woods. The salvaged wood offcuts were sourced from a variety of local Brooklyn wood shops. The wood’s natural coloring shows off tones ranging from very light sand to mid and extremely dark brown. There is no stain involved.  Once complete, the surface is shaped using a variety of hand held tools, resulting in a finely honed finish with slight undulations, similar to that of hand-built ceramics.

7-1/2"dia x 7-1/2"tall

2017

SOLD

Reclaimed California Redwood. Wood was salvaged from decommissioned NYC water towers.

This vessel has not been turned on a lathe. Each vessel is hand-built. Stacked piece by piece, layer by layer to create the form. Once complete, the surface is shaped using a variety of hand held tools, resulting in a finely honed finish with slight undulations, similar to that of hand-built ceramics.

14"dia x 23"tall

2016

SOLD

Reclaimed Spalted Maple

This vessel has not been turned on a lathe. Each vessel is hand-built. Stacked piece by piece, layer by layer to create the form. Once complete, the surface is shaped using a variety of hand held tools, resulting in a finely honed finish with slight undulations, similar to that of hand-built ceramics.

11-1/2" d x 7" h

2016

SOLD

Reclaimed Cherry

This vessel has not been turned on a lathe. It was hand-built hollow, STACKED piece by piece, layer by layer, all the while controlling the wall thickness as well as the profile. This vase was made using reclaimed cherry sourced and salvaged from a variety of local Brooklyn wood shops. The wood's natural coloring shows off warm tones ranging dark oranges to light browns and reds, with a scattering of pale sapwood interspersed. There is no stain involved, but due to cherry's inherent qualities, this piece will darken over time. Once complete, the surface was gently sculpted smooth using a variety of hand held tools, resulting in a finely honed finish with slight undulations, similar to that of hand-built ceramics.

9-1/2" d x 18-3/4" h

2016

SOLD

Reclaimed Heart Pine; salvaged from demolished NYC brownstone building joist.

This vessel has not been turned on a lathe. Each vessel is hand-built. Stacked piece by piece, layer by layer to create the form. Once complete, the surface is shaped using a variety of hand held tools, resulting in a finely honed finish with slight undulations, similar to that of hand-built ceramics.

9-3/4" d x 12-3/4" h

2016

SOLD

Reclaimed oak and chestnut

This vessel has not been turned on a lathe. Each vessel is hand-built. Stacked piece by piece, layer by layer to create the form. Once complete, the surface is shaped using a variety of hand held tools, resulting in a finely honed finish with slight undulations, similar to that of hand-built ceramics.

8-1/4" d x 9-1/2" h

dimple- 3-3/4" d

2016

SOLD

Reclaimed California Redwood. Wood was salvaged from decommissioned NYC water towers.

This vessel has not been turned on a lathe. Each vessel is hand-built. Stacked piece by piece, layer by layer to create the form. Once complete, the surface is shaped using a variety of hand held tools, resulting in a finely honed finish with slight undulations, similar to that of hand-built ceramics.

11-1/2"dia x 21-1/2"tall

2017

SOLD

Reclaimed Oak and Chestnut

This vessel has not been turned on a lathe. Each vessel is hand-built. Stacked piece by piece, layer by layer to create the form. Once complete, the surface is shaped using a variety of hand held tools, resulting in a finely honed finish with slight undulations, similar to that of hand-built ceramics.

8-1/4" d x 9-1/2" h

2016

SOLD

Reclaimed Oak and Chestnut

This vessel has not been turned on a lathe. Each vessel is hand-built. Stacked piece by piece, layer by layer to create the form. Once complete, the surface is shaped using a variety of hand held tools, resulting in a finely honed finish with slight undulations, similar to that of hand-built ceramics.

8-1/4" d x 9-3/4" h

2016

SOLD

Reclaimed Walnut

This vessel has not been turned on a lathe. Each vessel is hand-built. Stacked piece by piece, layer by layer to create the form. Once complete, the surface is shaped using a variety of hand held tools, resulting in a finely honed finish with slight undulations, similar to that of hand-built ceramics.

11-1/2" d x 7" h

2015

SOLD

Reclaimed Spalted Maple

This vessel has not been turned on a lathe. Each vessel is hand-built. Stacked piece by piece, layer by layer to create the form. Once complete, the surface is shaped using a variety of hand held tools, resulting in a finely honed finish with slight undulations, similar to that of hand-built ceramics.

9" d x 23" h

2015

SOLD

Reclaimed Walnut

This vessel has not been turned on a lathe. Each vessel is hand-built. Stacked piece by piece, layer by layer to create the form. Once complete, the surface is shaped using a variety of hand held tools, resulting in a finely honed finish with slight undulations, similar to that of hand-built ceramics.

9-1/2" d x 9-1/2" h

2015

SOLD

Reclaimed Heart Pine; salvaged from demolished NYC brownstone building joist.

This vessel has not been turned on a lathe. Each vessel is hand-built. Stacked piece by piece, layer by layer to create the form. Once complete, the surface is shaped using a variety of hand held tools, resulting in a finely honed finish with slight undulations, similar to that of hand-built ceramics.

10" d x 9-1/2" h

2015

SOLD

Reclaimed Spalted Maple

This vessel has not been turned on a lathe. Each vessel is hand-built. Stacked piece by piece, layer by layer to create the form. Once complete, the surface is shaped using a variety of hand held tools, resulting in a finely honed finish with slight undulations, similar to that of hand-built ceramics.

8" d x 11" h

2015

SOLD

Reclaimed Oak; asymmetrical shape

This vessel has not been turned on a lathe. Each vessel is hand-built. Stacked piece by piece, layer by layer to create the form. Once complete, the surface is shaped using a variety of hand held tools, resulting in a finely honed finish with slight undulations, similar to that of hand-built ceramics.

2" d x 18" h

2015

SOLD

Reclaimed Cherry

This vessel has not been turned on a lathe. Each vessel is hand-built. Stacked piece by piece, layer by layer to create the form. Once complete, the surface is shaped using a variety of hand held tools, resulting in a finely honed finish with slight undulations, similar to that of hand-built ceramics.

10" d x 9-1/2" h

2015

SOLD

Reclaimed California Redwood; salvaged from decommissioned NYC water towers.

This vessel has not been turned on a lathe. Each vessel is hand-built. Stacked piece by piece, layer by layer to create the form. Once complete, the surface is shaped using a variety of hand held tools, resulting in a finely honed finish with slight undulations, similar to that of hand-built ceramics.

11-1/2" d x 16" h

2016

SOLD

Reclaimed Mahogany

This vessel has not been turned on a lathe. Each vessel is hand-built. Stacked piece by piece, layer by layer to create the form. Once complete, the surface is shaped using a variety of hand held tools, resulting in a finely honed finish with slight undulations, similar to that of hand-built ceramics.

8" d x 11" h

2015

SOLD

Reclaimed oak and chestnut

This vessel has not been turned on a lathe. Each vessel is hand-built. Stacked piece by piece, layer by layer to create the form. Once complete, the surface is shaped using a variety of hand held tools, resulting in a finely honed finish with slight undulations, similar to that of hand-built ceramics.

10" d x 9-3/4" h

dimple- 2-3/4" d

2016

SOLD

Reclaimed California Redwood; salvaged from demolished NYC water towers.

This vessel has not been turned on a lathe. Each vessel is hand-built. Stacked piece by piece, layer by layer to create the form. Once complete, the surface is shaped using a variety of hand held tools, resulting in a finely honed finish with slight undulations, similar to that of hand-built ceramics.

17" d x 12-1/2" h

2015

SOLD

Reclaimed Oak

This vessel has not been turned on a lathe. Each vessel is hand-built. Stacked piece by piece, layer by layer to create the form. Once complete, the surface is shaped using a variety of hand held tools, resulting in a finely honed finish with slight undulations, similar to that of hand-built ceramics.

9" d x 23" h

2015

SOLD

Reclaimed Mahogany

This vessel has not been turned on a lathe. Each vessel is hand-built. Stacked piece by piece, layer by layer to create the form. Once complete, the surface is shaped using a variety of hand held tools, resulting in a finely honed finish with slight undulations, similar to that of hand-built ceramics.

11" d x 20-1/2" h

2015

SOLD

Reclaimed California Redwood; salvaged from decommissioned NYC water towers.

This vessel has not been turned on a lathe. Each vessel is hand-built. Stacked piece by piece, layer by layer to create the form. Once complete, the surface is shaped using a variety of hand held tools, resulting in a finely honed finish with slight undulations, similar to that of hand-built ceramics.

8" d x 11" h

2015

SOLD

Reclaimed Walnut

This vessel has not been turned on a lathe. Each vessel is hand-built. Stacked piece by piece, layer by layer to create the form. Once complete, the surface is shaped using a variety of hand held tools, resulting in a finely honed finish with slight undulations, similar to that of hand-built ceramics.

12.5”wide x 8.5”deep x 9”tall

SOLD

Reclaimed 1/4" Plywood

Each vessel was hand-built. Stacked piece by piece, layer by layer to create the form. The surface was left unfinished for each of these.

*Individual dimensions for each vessel listed below

Reclaimed Walnut

This vessel has not been turned on a lathe. Each vessel is hand-built. Stacked piece by piece, layer by layer to create the form. Once complete, the surface is shaped using a variety of hand held tools, resulting in a finely honed finish with slight undulations, similar to that of hand-built ceramics.

11.5”dia x 6”tall

SOLD